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OUR WORK

What We Do

Architectural planning

The architect usually begins to work when the site and the type and cost of a building have been determined. The site involves the varying behaviour of the natural environment that must be adjusted to the unvarying physical needs of human beings; the type is the generalized form established by society that must be adjusted to the special use for which the building is required; the cost implies the economics of land, labour, and materials that must be adjusted to suit a particular sum.











Interior design

The natural environment is at once a hindrance and a help, and the architect seeks both to invite its aid and to repel its attacks. To make buildings habitable and comfortable, he must control the effects of heat, cold, light, air, moisture, and dryness and foresee destructive potentialities such as fire, earthquake, flood, and disease. The methods of controlling the environment considered here are only the practical aspects of planning. They are treated by the architect within the context of the expressive aspects. The placement and form of buildings in relation to their sites, the distribution of spaces within buildings, and other planning devices discussed below are fundamental elements in the aesthetics of architecture.







Urban design

The architect usually begins to work when the site and the type and cost of a building have been determined. The site involves the varying behaviour of the natural environment that must be adjusted to the unvarying physical needs of human beings; the type is the generalized form established by society that must be adjusted to the special use for which the building is required; the cost implies the economics of land, labour, and materials that must be adjusted to suit a particular sum.











Landscape design

The natural environment is at once a hindrance and a help, and the architect seeks both to invite its aid and to repel its attacks. To make buildings habitable and comfortable, he must control the effects of heat, cold, light, air, moisture, and dryness and foresee destructive potentialities such as fire, earthquake, flood, and disease. The methods of controlling the environment considered here are only the practical aspects of planning. They are treated by the architect within the context of the expressive aspects. The placement and form of buildings in relation to their sites, the distribution of spaces within buildings, and other planning devices discussed below are fundamental elements in the aesthetics of architecture.

OUR WORK

What We Do

Architectural planning

The architect usually begins to work when the site and the type and cost of a building have been determined. The site involves the varying behaviour of the natural environment that must be adjusted to the unvarying physical needs of human beings; the type is the generalized form established by society that must be adjusted to the special use for which the building is required; the cost implies the economics of land, labour, and materials that must be adjusted to suit a particular sum.


Interior design

The natural environment is at once a hindrance and a help, and the architect seeks both to invite its aid and to repel its attacks. To make buildings habitable and comfortable, he must control the effects of heat, cold, light, air, moisture, and dryness and foresee destructive potentialities such as fire, earthquake, flood, and disease. The methods of controlling the environment considered here are only the practical aspects of planning. They are treated by the architect within the context of the expressive aspects. The placement and form of buildings in relation to their sites, the distribution of spaces within buildings, and other planning devices discussed below are fundamental elements in the aesthetics of architecture.


Urban design

The architect usually begins to work when the site and the type and cost of a building have been determined. The site involves the varying behaviour of the natural environment that must be adjusted to the unvarying physical needs of human beings; the type is the generalized form established by society that must be adjusted to the special use for which the building is required; the cost implies the economics of land, labour, and materials that must be adjusted to suit a particular sum.


Landscape design

The natural environment is at once a hindrance and a help, and the architect seeks both to invite its aid and to repel its attacks. To make buildings habitable and comfortable, he must control the effects of heat, cold, light, air, moisture, and dryness and foresee destructive potentialities such as fire, earthquake, flood, and disease. The methods of controlling the environment considered here are only the practical aspects of planning. They are treated by the architect within the context of the expressive aspects. The placement and form of buildings in relation to their sites, the distribution of spaces within buildings, and other planning devices discussed below are fundamental elements in the aesthetics of architecture.


WHY US

Some Interesting
Facts

Our team takes over everything, from an idea and concept development to realization. We believe in traditions and incorporate them within our innovations. All our projects incorporate a unique artistic image and functional solutions. Client is the soul of the project. Our main goal is to illustrate his/hers values and individuality through design.

461

Finished projects

293

Happy customers

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Working hours

WHY US

Some Interesting
Facts

Our team takes over everything, from an idea and concept development to realization. We believe in traditions and incorporate them within our innovations. All our projects incorporate a unique artistic image and functional solutions. Client is the soul of the project. Our main goal is to illustrate his/hers values and individuality through design.